dream hampton: Thank You Frank →

dreamhampton1:

Thank You Frank Ocean. It’s true, we are a lot alike… “spinning on blackness. All wanting to be seen, touched, heard, paid attention to.” In your opening few lines, you simultaneously established your humanity, a burden far too often asked of same sex lovers, and acknowledged that in this age of hyper self awareness, amplified in no small part by the social media medium in which you made your announcement, we are desperate to share. You shared one of the most intimate things that ever happened to you—-falling in love with someone who wasn’t brave enough to love you back. Your relieving yourself of your “secret” is as much about wanting to honestly connect as it is about exhibition. We are all made better by your decision to share publicly.

You and  Anderson Cooper have the same coming out calendar week in common, but in many obvious ways, you couldn’t be more different. Anderson Cooper is an heir to one of American’s great Industrial Age fortunes  and a network professional whose maleness and whiteness backed by his considerable accomplishments guarantee him work. You are a young Black man from New Orleans who fled your still struggling city. You didn’t arrive in Los Angeles with generational wealth and privilege, only the beautiful lyrics and melodies that danced through you and your dream of making it in a music industry whose sand castles were crumbling. 

You are in fact, connected to one of hip hop’s great cadres, in the tradition of Oakland’s Heiroglyphics, The Native Tongues and The Juice Crew. Your music family, like all the rest, will likely grow apart, but in this moment Odd Future  bends hip hop’s imagination with utter abandon. You fulfill hip hop’s early promise to not give a fuck about what others’ think of you. The 200 times Tyler says faggot and the wonderful way he held you up and down on Twitter today, Syd the Kid’s sexy stud profile and her confusing, misogynistic videos speak to the many contradictions and posturing your generation inherited from the hip hop generation before you. I’m sure you know a rumor about Big Daddy Kane having AIDS and with it, the suggestion that he was bisexual, effectively ended his career. You must have seen the pictures of pioneer Afrika “Baby Bam” from the Jungle Brothers in drag and read the blogs ridiculing him, despite the fact that he’s been leading a civilian life for nearly two decades. I know as a singer you love Rahsaan Patterson and bemoan the fact that homophobia prevented him from being the huge star his talent deserves. Only last month Queen Latifah unnecessarily released a statement denying that her performing at a Gay Pride event meant she was finally affirming her identity for thousands of Black girls. Imagine if Luther had been able to write, as you closed your letter, “I don’t have any secrets I need kept anymore…I feel like a free man.” 

But you’re not an activist. You’re a Black man in America whose star is on the rise, working in hip hop and soul, where gender constructs are cartoonishly fixed. Your colleague Drake is often attacked with homophobic slurs when he simply displays vulnerability in his music. He seems to respond by following those moments of real emotion  with bars that put “hoes” in their proverbial place. But you’re a beautiful songwriter (your question to Jay and Kanye, “What’s a King to a God?” on their own song on an album about their kingdom, was brilliantly sly). Your letter is revolutionary not least of all because it is about love. It is  about falling in love and feeling rejected and carrying both that love and rejection with you through life. The male pronoun of the object of your desire is practically incidental. We have all been in a love that felt “malignant…hopeless” from which “there was no escaping, no negotiating.” Your promise to your first love, that you won’t forget him, that you’ll remember how you changed each other, is so full of love and grace.

You were born in the 80’s, when gay rights activist were seizing the streets of New York and other major world cities, fighting for visibility and against a disease that threatened to disappear them. The cultural shifts created from those struggles in some ways make your revelation about your fluid sexuality less shocking than it would have been decades before. Still, there are real risks with coming out as a man who loved a man. I hope you hear and are reading the hundred of thousands of people who have your back.

We admire the great courage and beauty and fearlessness in your coming out, not only as a bisexual Black man, but as a broken hearted one. The tender irony that your letter is to a boy who was unable to return your love love until years later because he was living a lie is the only truly tragic thing about your letter. A million twirls on this spinning ocean blue globe in this vast endless blackness for you my love.

Frank Ocean - “Thinking About You”

That “it usually doesn’t rain/in Southern California” line break, though.

Untitled from chris breaux on Vimeo.

frankocean:

decent excuse to drive a nsx through mountains.

credit: dave wilson

Yeah, this is pretty much all I am interested in.

Frank Ocean - “There Will Be Tears”

For all the discussion about everything shocking in Odd Future’s lyrics, there is surprisingly little said about how much of this music is about not having a father. To me, this song, or Tyler’s “Bastard,” represents an incredible vulnerability. I think it would be drifting into dangerous psychoanalysis territory to talk too much about how this vulnerability maybe manifests itself in the outsize shock value of the Odd Future world view, so I’ll just say that I find music that is this raw to be incredibly powerful and moving stuff.

I don’t think I’ve ever heard anything quite like this:

Hide my face, hide my face

can’t let em see me crying

cause these boys ain’t had no fathers neither

and they weren’t crying

my friends said it wasn’t so bad

you can’t miss what you ain’t had

well, I can

I’m sad

and there will be tears

This is the reason Odd Future is so exciting. Because this is honest, it is unfiltered, it is different, and it means something. It’s also really good. And these are things that make art worthwhile.